Best Thriller Films (1)
1. FARGO (1996). Jerry Lundegaard’s inept crime falls apart due to his and his henchmen’s bungling as well as the persistent police work of pregnant Marge Gunderson. For me, the Coen Brothers can be...
View ArticleBest Cult Films (1)
1. BATTLE ROYALE (2000). In the future, the Japanese government have captured a class of ninth-grade students, forcing them to kill each other under the revolutionary “Battle Royale” act, a piece of...
View Article10 Films Snubbed for Best Picture at the Oscars (1)
1. SAVING PRIVATE RYAN (1998). The story of a platoon of American soldiers on a mission to track down and return Private James Ryan is a masterpiece. It was nominated for eleven Academy Awards and...
View ArticleBest Films of the 2000s (1)
1. NO COUNTRY FOR OLD MEN (2007). Mayhem, violence and the relentlessness of a ruthless killer ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near...
View ArticleBest Nineties Films (2)
1. AMERICAN BEAUTY (1999). Sam Mendes’ Oscar-winning directorial debut film is a knockout. Nobody tells a story in visual terms quite like Mendes, and Alan Ball’s existential, cheerfully bleak...
View ArticleBest Nicolas Cage Films
1. Adaptation (2002). Writer Charlie Kaufman and director Spike Jonze’s second partnership may be even better than their first success (Being John Malkovich). Thanks to the film’s incredible writing...
View Article10 Screen Villains That I Wouldn’t Let Date My Sister
1. GARLAND GREENE (CON AIR). Played by Steve Buscemi in Con Air, Garland Greene is a convicted serial killer serving consecutive life sentences for 30 murders. He states that real insanity is working...
View ArticleBest Films of 2013
It’s time to analyse what I found to be the very best cinema had to offer in the previous year. I thought that 2013 was a fine year for film and had a lot of great movies, featuring one that is...
View ArticleBest Cop Films (1)
1. The Departed (2006). Give it up to Scorsese and company on this one. The elevator scene, with an intensity and swiftness that smack you like a sledgehammer. The dual morality of the modern lawman —...
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